Oil On Canvas, Real Flavor of Old Masters

All James Abbott Mcneill Whistler 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
56713  
arrangemang i gratt och svart nr 1 konstnarens moder, James Abbott Mcneill Whistler
 
 arrangemang i gratt och svart nr 1 konstnarens moder   mk248 oinbjuden kom wbistlers foretagsamma, puritanska mor fran usa for att bo bos sin egen alskade fjaril i bans bem i cbelsea, ocb vid ett tillfalle nar ban saknade modell poserade bon for bonom. hon bade svart att sta. sa ban malade sin mor sittende i profil ocb skapade en ikon, wbistler malade benne som en stram komposition i subtila nyanser, finns ekon av de japanska trycken. som dominerande farg valde ban svart, blandad med sa mycket terpentin att fargen sjonk in i den obebandlade duken ocb darigenom far en lysterlos effekt som tilltalande bonom, det bor inte rada nagot tvivel om att det ar just wbistlers vagran att ingjuta berattelse eller kanslosambet i bilden som bar gjort portrattet av bans mor tidlost.
61605  
Arrangement in Gray Portrait of the Painter, James Abbott Mcneill Whistler
 
 Arrangement in Gray Portrait of the Painter   Arrangement in Gray: Portrait of the Painter (self portrait, c. 1872), Detroit Institute of Arts
61610  
Arrangement in Grey and Black, James Abbott Mcneill Whistler
 
 Arrangement in Grey and Black   Arrangement in Grey and Black: The Artist's Mother (1871), popularly known as Whistler's Mother, Mus??e d'Orsay, Paris
97639  
George W Vanderbilt, James Abbott Mcneill Whistler
 
 George W Vanderbilt   1897/1903 Medium oil on canvas Dimensions 208.6 x 91.1 cm cyf
38154  
Miss Rosa Corder, James Abbott Mcneill Whistler
 
 Miss Rosa Corder   mk29 1875-78 Oil on canvas 192.4x92.4cm
61612  
Mother of pearl and silver, James Abbott Mcneill Whistler
 
 Mother of pearl and silver   Mother of pearl and silver: The Andalusian (1888-1900), National Gallery of Art, Washington, D.C
61608  
Nocturne, James Abbott Mcneill Whistler
 
 Nocturne   Nocturne: Blue and Gold - Old Battersea Bridge (1872), Tate Britain, London, England
56712  
nocturne i svart och guld den fallande raketen, James Abbott Mcneill Whistler
 
 nocturne i svart och guld den fallande raketen   mk248 wbistlers nocturne serie med bilder av tbemsen malades under 1870 talet ocb inspirerades av japanska tryck. fust denna nocturne, med sin stjarnstrodda bimmel. blev uppbovet till den beromda dispyten mellan wbistler ocb kritikern fobn ruskin
56968  
Nocturne in Black and Gold, James Abbott Mcneill Whistler
 
 Nocturne in Black and Gold   mk250 In the year 1892-1895. Oil on canvas, 60 x 47 cm. Detroit Detroit Institute of Arts
61611  
Nocturne in Black and Gold, James Abbott Mcneill Whistler
 
 Nocturne in Black and Gold   Nocturne in Black and Gold: The Falling Rocket (1874), Detroit Institute of Arts
42792  
Nocturne inblauw and silver of the lights of Cremorne, James Abbott Mcneill Whistler
 
 Nocturne inblauw and silver of the lights of Cremorne   MK169 1872 oil Paint on cloth 40x74cm
96442  
Old Battersea Beach, James Abbott Mcneill Whistler
 
 Old Battersea Beach   1863(1863) Medium oil on canvas Dimensions 50.8 X 68.6 cm cyf
61606  
Portrait of Whistler with Hat, James Abbott Mcneill Whistler
 
 Portrait of Whistler with Hat   Portrait of Whistler with Hat (1858), Freer Gallery of Art, Washington, D.C.
38155  
Robert,Comte de Montesquiou-, James Abbott Mcneill Whistler
 
 Robert,Comte de Montesquiou-   mk29 1891-92 Oil on canvas 208.6x91.8cm
61607  
Symphony in White,, James Abbott Mcneill Whistler
 
 Symphony in White,   Symphony in White, No. 1: The White Girl (1862), The National Gallery of Art, Washington, D.C.
97072  
Trouville, James Abbott Mcneill Whistler
 
 Trouville   1865(1865) Medium oil on canvas Dimensions 51.5 X 76.9 cm cyf
38212  
Valerie,Lady Meux, James Abbott Mcneill Whistler
 
 Valerie,Lady Meux   mk29 1881 Oil on canvas 193.7x93cm

James Abbott Mcneill Whistler
American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.



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